Archive for the 'Digital Library' Category

UF Digital Collections (Infrastructural) Makeover

Laurie N. Taylor May 8th, 2008

Stamped bank card (stamp: 1923, together with earlier stamp of the RSFSR: a Empire definitive with a star overprint and new denomination “P.200P.”)In order to simplify our internal systems through a complete overhaul, we won’t be loading any items for the next week. A week from now, users will notice subtle, yet significant changes in terms of the overall design and in terms of speed. Most of the changes appear small, but they’re all part of the optimization process which will greatly enhance the infrastructure supporting the Digital Collections, stripping out additional code, enhancing system memory usage, and speeding and cleaning the whole process for human users and robots for search engine indexing.

While we’re completing this process, we won’t be loading any items, but as soon as we’re done, the many new items we’re processing will start to load and there are a lot. We’re already sitting at 1,797,881 so we will hit the 2 million mark rather soon. Don’t be dismayed while we’re holding for the next week. In the meantime, check out the many wonderful materials we have online, like the image above, which comes from the digital Archive of the Rossica Society, a world-wide society devoted to all aspects of Russian philately, from the pre-stamp days of Imperial Russia to current post-Soviet philately.

Word of the Day (or maybe even year): autotechnogeoglyphics

Laurie N. Taylor April 27th, 2008

Autotechnogeoglyphics

I’m not sure how I came across the “Pruned” blog’s post on autotechnogeoglyphics, but it’s the most wonderful word I’ve seen in sme time. auto-techno-geo-glyphics sounds of steampunk, science fiction, fantasy, epic world building and world altering technology, histories of giants, and it holds so much promise, so much potential for exploration. While the definition speaks more to reality, the word speaks to fantasy worlds of stone like Shadow of the Colossus, science-fiction worlds of steel, and ancient worlds of myth and reality, of stone, sediment, and things long lost.

“Pruned” explains autotechnogeoglyphics from the CLUI newsletter as:

Among the many wonderful things worth noting, there is their aerial photographs of automotive test tracks — those concrete hieroglyphs, in the fringes of urban sprawls, recording “the condition of America, land of the automobile, a syndrome that transformed the landscape of the nation, and the world, more than any other.”

As an information addict, I normally value words by utility. However, there are those words that go beyond the possible into the impossible, seeking for more than they can possibly find and finding all that they can in the process. autotechnogeoglyphics is one of those; it speaks to what it is and what it could be, helping to define studies of large-scale, made-designs in the Earth, made only over time with parts intentional and parts their sum unforeseeable in their planning, and all seen only with enough correct distance. It only seems right in all lowercase, perhaps because weighting the first letter seems to give priority to the auto over the rest, or perhaps the font isn’t right for a word of this magnitude. Hopefully autotechnogeoglyphics will appear enough to find its fit for font and scale, and hopefully it will also find and share new words that similarly sing.

Blogs at the UF Libraries

Laurie N. Taylor April 27th, 2008

The UF Libraries now have a multi-user install of WordPress (known as WordPress MU). The blogs that the Libraries have been using externally from various other sites, including this one, are now being centralized for ease and improved communication. Blogs at the UF Libraries are here: http://blogs.uflib.ufl.edu.

The Blogroll for the main blog includes only the blogs at the UF Libraries, so the first page is an easy entry into the rest of blogs. Right now, many of the blogs are still being pulled in and other non-blog areas of the Libraries are being tested for reformatting  as blogs. After all, blogs are great for any chronological style information site and for sites that are heavily populated by events, dates, and other happenings.  This blog will likely remain here. It may become a more personal-professional chronicle of my work (which is unlikely given that my information addiction makes the professional the personal so the two aren’t really separable); or I may simply clone the blog so that it’s easily accessible in either area (more likely); or the other blog may host the day-to-day technical update blog and this may stay as it is for my reflections; or I may pursue some blend of the possible options.

PS Magazine online, at VCU (and UF)!

Laurie N. Taylor April 23rd, 2008

VCU Libraries have announced a full digital run of Will Eisner’s work on PS* Preventive Maintenance Magazine! Here’s their press release:

psmagazinecoverVCU Libraries is honored to present these rare examples of the incomparable art work of the late Will Eisner. In an effort to encourage soldiers to keep better care of their equipment, the US Army hired Eisner’s American Visuals Corporation to do a digest-sized publication focusing on preventive maintenance. Each issue consisted of a color comic book style cover; eight pages of four color comic continuity story in the middle; and a wealth of technical, safety, and policy information printed in two color. Eisner drew and was artistic editor for PS Magazine from its inception in 1951 until 1972. Presented here are complete scans for 145 regular issues, 3 special issues, and 14 index issues.

The University of Florida just finished scanning our issues of PS, and we have them all openly online as well. UF has far fewer issues, and we were scanning them in hopes of soon partnering with other institutions to locate and digitize the other volumes, so it’s all the more wonderful that VCU both had all of the issues and was able to scan them and add them to an open access Digital Collection. In doing so, it lays an even stronger foundation for other projects involving comics. PS is especially important because these early issues were well read, well loved, and well used. They’re excellent sources for any study of visual rhetoric, technical writing, literature, media studies, the military, American culture, and more. Will Eisner is the father of the modern graphic novel, popularizing the term and showing what it could be, and his work in all fields is so relevant and so important that it’s essential to have access to materials like PS. Hopefully, we’ll continue to see more great materials go online like VCU’s complete run of Will Eisner’s PS.

100,000 pages a month

Laurie N. Taylor April 20th, 2008

The University of Florida Digital Collections are still relatively young, established separately only recently. Since March 23 of this year, we’ve added another 100,000 pages, up from 1.62 million on March 23 and now we’re at 1.718 million (and counting) and it’s only April 20. The full stats–as of today–are: 53,682 titles; 70,323 items; and 1,718,050 pages. Our statistics are dynamically updated, listed online here, and the statistics are broken down by collection.

The statistics are a handy gauge of how our collections are developing, but they can’t reflect the quality of materials online. For reflecting a more complete sense of the materials online, new items are shown on a regular (daily to every few days) on the “browse new items” view, available here and dynamically updated with new items.

Darwin Online

Laurie N. Taylor April 18th, 2008

The complete works of Charles Darwin are now online in one place, appropriately named “Charles Darwin: the Complete Works of Charles Darwin Online.” This one place includes:

Darwin’s complete publications, thousands of handwritten manuscripts and the largest Darwin bibliography and manuscript catalogue ever published; also hundreds of supplementary works: biographies, obituaries, reviews, reference works and more.

This work is related to the “Darwin Correspondence Project,” which includes over has over 5,000 letters online and is working to locate as many letters as possible and to make them all available, and they’ve found around 14,500 already. Locating, collecting, and digitizing all of this material is wonderful and projects like this are amazing for their contents and for their structure which gives users an easy way into the materials.

It’s always exciting to see excellent projects like this, and the University of Florida even has a few connections because of our work in digitizing works related to the reception of Charles Darwin’s work in the comic magazine Fun (a contemporary to Punch).

Response to Darwin in Fun Magazine

A Story of Stops

Laurie N. Taylor April 11th, 2008

A story of stops The Baldwin Library of Historical Children’s Literature has many amazing materials, but I’ve never before seen one quite like A Story of Stops. The book itself is wonderfully illustrated, so wonderfully in fact that I haven’t yet read it. I can’t get over the idea of a “story of stops,” written in 1891 for children. A “story of stops” for children or all ages now could be many things–a story of missed messages and miscommunications (stops in communication, stops in transmission, especially with telegraphs), travel and adventure stories (stops along a train route, or an exploration), and so much more. But a “story of stops” in 1891? I almost don’t want to read it and want to instead imagine what it could be.

The subject terms only encourage me further:

Children — Juvenile fiction. — Conduct of life
Conduct of life — Juvenile fiction.
Adventure and adventurers — Juvenile fiction.
Voyages and travels — Juvenile fiction.
Goblins — Juvenile fiction.
Billiards — Juvenile fiction.
Twins — Juvenile fiction.
Friendship — Juvenile fiction.
Sisters — Juvenile fiction.
Bldn — 1891.

A Story of Stops is available for all online, from those wanting to read the story or those simply wanting to explore the many possibilities of the story. A Story of Stops was written by Mrs. Davidson of Tulloch, and a Google search explains that Mrs. Davidson is Gwendoline Davidson, and that she also wrote “Kitten Goblins,” which I can’t wait to see.

Pamphlets from the French Revolution

Laurie N. Taylor April 10th, 2008

00001thm.jpgThe University of Florida has a collection of French Revolutionary pamphlets and a small few have been digitized and are now loading online. The full collection is quite large, and one of the digital collection items is a list of all of the pamphlets. It’s wonderful to see these materials online because having them online allows people to see what they are and to use them. The list of pamphlets is helpful on a basic level, like so many bibliographies and lists of holdings, but being able to see and use materials is exponentially better than only knowing that an archive has an object.

Over 1.5 million!

Laurie N. Taylor March 23rd, 2008

Susan Proudleigh by Herbert G. de LisserIn August, the Digital Library Center proudly announced breaking the one million page mark, with over a million pages online for more than “20 collections, representing more than 44,000 titles in more than 52,000 volumes.” Now, just 7 months later we’ve added slightly over another 60% of that to the collections for a total of 1,621,841 pages, over 5,1746 titles (up from 44,000) and 67,487 volumes (up from 52,000). That means we’ve been producing almost 10% of our total holdings each month for the past 7 at nearly 100,000 pages a month!

The incredible production rate is far more incredible when the types of pages are considered. Large scale digitization initiatives produce far more pages than this, but any comparison would be apples to alligators because our pages are from all sorts of documents, photographs, maps, video, audio, and more. Each file requires metadata (title, author, and a lot more) so books are relatively quick per item for page count. Letters, maps, and photographs are much slower with the same information often required for each page. Plus the 100,000 pages have been produced over the fall to spring semester break and spring break, times when student workers are in short supply, and when many staff people take their own vacations. The page count also can’t accurately reflect the audio and video files, which are counted as a single file for any video or audio clip, even if that one page really means an hour long video, with all of the required processing. Even large printed materials skew aren’t accurately represented by pages given that a single page map will often be several square feet in size, requiring additional processing and time for a single page. Despite the difficulties in reporting fully accurate statistics, the production rate remains extremely impressive and what’s even more impressive is thinking about how many people all of these pages, and all of these materials, will help. Of course, many of the materials are also books like the cover image above, which is from Susan Proudleigh by Herbert G. de Lisser. The book is well out of print and was rare and hard to find, so hard to find that this was actually digitized from a photocopy because that’s what was readily available. But now Susan Proudleigh is available for all.

The fast and steady production is due to a great crew of dedicated workers (including students, some of whom have been at the DLC for multiple years), great technologies that we all work to constantly improve, and constant work to streamline digitization work flows. While we may not be able to much faster than this current speed of roughly 100,000 pages a month, and we may go slower during the summer with missing student workers, 100,000 pages is still a great service for the University of Florida, the University Libraries, and every citizen as all benefit from more information being openly available.

Digital Library of the Caribbean (dLOC)

Laurie N. Taylor March 12th, 2008

In working on other projects, I stumbled across this poster on the Digital Library of the Caribbean from last year. The Digital Library of the Caribbean (dLOC) is a cooperative digital library for resources from and about the Caribbean and circum-Caribbean. All materials in dLOC are Open Access for everyone to see, but any rights remain with the owners or with the contributing partners. This is a great example of collaboration creating materials for all to use, while supporting the creators and their communities and nations. The digitized materials include Caribbean cultural, historical and research materials currently held in archives, libraries, and private collections.

The poster describes this all more fully, but I’m most impressed with the rights management and with the centralized technical infrastructure, which provides a scaffolding for new projects to begin digitization as well as an umbrella collection online to ensure that even new collections contribute to the growing critical mass of resources in a single space, allowing the searching across collections, while also allowing for individual collections to be searched on their own once ready. The poster says more though, so check it out (in Google Presentation Mode and the slide alone).

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